Factual. Independent. Impartial.
Support AAP with a free or paid subscription
Arts
Kat Wong

World-renowned sculptor shows the subtleties of emotion

An installation of Ron Mueck’s Couple Under an Umbrella at the Art Gallery of New South Wales. (Bianca De Marchi/AAP PHOTOS)

A sleep-deprived mother whose arms are too full to hold her child, a teenage boy clenching his young lover's wrist, the awkwardness of adolescence: Australia's most internationally renowned artist magnifies human emotion.

Melbourne-born sculptor Ron Mueck is arguably best known for working alongside David Bowie in the 1986 film Labyrinth, where he puppeteered and voiced the horned beast Ludo.

But his hyper-realistic and often unsettling works have captured the art world.

Art Gallery of NSW director Maud Page
Art Gallery of NSW director Maud Page says Mueck's emotional works also provide ambiguity. (Bianca De Marchi/AAP PHOTOS)

"He is, I would say, the most renowned Australian artist on the international scene," Art Gallery of New South Wales director Maud Page told AAP.

"He is unique in presenting a very emotional situation that has both ambiguity, but also something that you can recognise."

Mueck has previously exhibited at the Venice Biennale, the Kunsthistorisches Museum in Vienna, the Danish contemporary art museum ARoS and other famed institutions.

After years working overseas, he has returned for his first Australian exhibition in more than a decade.

"What I'd love our audiences to take away is to be more perceptive of each other - of humans and their responses to things - and be more attentive to the little side glances, to the way that a hand holds another hand or body," Ms Page said.

The works on display at Sydney's Art Gallery of NSW show off Mueck's technical expertise.

Ribs ripple behind sheets of skin, wedding rings dig into the fingers of long-married and perhaps ambivalent couples, a clasped hand settles into the flesh of another.

Despite his success, Mueck remains a notoriously private artist.

Unlike other sculptors of his stature, he creates works on his own without the help of any assistants and rarely, if ever, appears in public.

But this sense of enigma and isolation helps audiences relate to his sculptures.

Ron Mueck’s Havoc
Mueck's studio director says the sculptor's works feel like "a series of encounters". (Bianca De Marchi/AAP PHOTOS)

"Because of the way that Ron works - in that sort of isolation - he's connecting with people in what feels like quite a direct way," Ron Mueck studio director and spokesman Charlie Clark told AAP.

"It's okay to feel whatever you feel, there's no right way to look at a work of art and no right thing that you should be taking from it's a moment for you to be with the work and yourself.

"It doesn't feel like an exhibition of sculptures, it feels like a series of encounters."

Ron Mueck: Encounter will open to the public at the Art Gallery of NSW on Saturday.

License this article

Sign up to read this article for free
Choose between a free or paid subscription to AAP News
Start reading
Already a member? Sign in here
Top stories on AAP right now